“In spare, luminous prose, Golaski conjures a unique blend of strangeness and menace. His vividly real characters are illuminated by the supernatural, even as it disrupts and changes their lives in ways that are variously enigmatic, disturbing and downright frightening.” —Christopher Harman, author of “In the Fields” and “The Last to Be Found”

The Editor of the standard catalogs for HW Wilson contacted us requesting a few of our books for inclusion in their catalogs. They maintain several databases that libraries use for ordering books and collection development. It’s great that word of our releases is getting out to places like this. We also had a request for…

For awhile LJ was really giving me a lot of problems. The recent redirect thing they did made it so I couldn’t got to my friends list or anybody else’s journal. Really I couldn’t view much of anything and it’s no fun if I can’t read what my friends are up to. So I hope…

I finished the file for the review copies of Meat Puppet Cabaret. I think I posted the cover art here before but not the actual cover, so here it is. I was pretty happy with the back too. I spend an inordinate amount of time on the back covers of books. It’s probably not necessary…

There’s an interesting article over at the Small Press Reviews blog discussing how modern writers depict the poor and how the underclass is mostly absent from modern works. The essay talks about both Welcome to Oakland and Unintended Consequences. RDSP authors get points for addressing the issue but get knocks for being too angry. For…