Director Jayson Densman has put together this awesome PoVid (poetry video) for "Where the Heart Isn’t" from The Troublesome Amputee by John Edward Lawson. The sound and voice-over was done by KEK-W.
Creepy isn’t it?
Director Jayson Densman has put together this awesome PoVid (poetry video) for "Where the Heart Isn’t" from The Troublesome Amputee by John Edward Lawson. The sound and voice-over was done by KEK-W.
Creepy isn’t it?
I’ve copied and pasted most of the entries from the rdsp community into this journal. Unfortunately I lost a lot of the formatting like links and such but the text is there. I was able to backdate the entries but too lazy to put the correct times the original posts were made. It was weird…
I just discovered that Ron Malfi will be doing a reading at HorrorFind on Friday from 9-10. I’m already planning ways to heckle him. Won’t you join me? One thing I don’t recommend is challenging him to arm wrestle. You can’t win!
This is the most complex vid so far. I’m not as happy with it as the on for Via Dolorosa (http://www.youtube.com/watch?v=LBF5reOEBeA). Somehow the animation didn’t come out as smooth and the piece as a whole just didn’t come together the way I’d hoped. I think it’s easier to do dramatic vids than energetic ones with…
John tells me the proof for Pseudo-City has arrived and it looks fantastic. Did I mention we decided to do this one as a hardcover and then later in the year we’ll release a paperback version? Well it’s true! The hardcovers are always fun to do and seem that much more classy. The main reason…
The new issue of Canadian Stories has a review of Fish, Soap and Bonds. It’s a print mag so I don’t have a link but here’s an excerpt: “In the last stretch of Fish, Soap and Bonds the characters find themselves in Hollywood. The narrator knowingly comments on a “plan to build a permanent home…
Today we’re revealing the cover for Demo Reels and Arthouse Madness the poetry collection from Vince A. Liaguno. This is a heavily themed collection so we wanted to choose an artist in line with those themes and one who could bring Liaguno’s vision to life. Although we haven’t worked with Scott Cole before he seemed…
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I really like this. The snowy TV creeps me out terribly.
I couldn’t believe it when I found out this was all shot on a $100 digital camera!